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Showing posts with label ebook. Show all posts
Showing posts with label ebook. Show all posts

Wednesday, May 1, 2013

★THE NIGHTLIFE PARIS★ Official Release!!



Official Release & GIVEAWAY 




Vampire master Michelle, and her slave, Aaron Pilan, flee to Paris, leaving behind the slaughter in Las Vegas. Aaron made the costly mistake of taking a bloodslave, and then married her. The tragedy of his wife's death has driven a rift between them and Michelle is desperate to heal the breach.

Struggling with his predatory alter ego, Aaron is fractious, rebelling against his master. He desires another bloodslave, and that Michelle cannot allow. She opens her heart and soul to Aaron and he relives, through her memories, her dark, gritty tale of survival in the savagery of WWII Paris under the German occupation. Michelle's staggering revelations are deeply disturbing. The confrontation of master versus slave comes full circle as the couple faces death and separation.

And they are not alone in Paris. An investigator has followed them from Vegas seeking the unique gifts of Michelle’s blood. He’s watching and waiting for the opportunity to make his move against them.

Find out what happens in the third novel of the Nightlife Series.




Purchase The Nightlife Paris here:

SMASHWORDS

Enter Giveaway for The Nightlife Paris here:

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Monday, April 1, 2013

Amazon & Goodreads: the Good, the Bad, and the Ugly




I have been following this issue very closely since it was first announced. 

There are many stances on it from many different angles.

Lets talk about a few of them here.

The latest posting from Digital Book World brings some interesting points to light:

http://www.digitalbookworld.com/2013/the-future-of-goodreads-under-amazon-ownership/?et_mid=610276&rid=234558344

Amazon's systems are consumer-focused.  This has many potential ramifications for Goodreads.  If that consumer focus bleeds over into Goodreads, how will that change the system for authors?

And a good part of Goodreads is built to cater to Authors in social media, events, group discussions, giveaways.  If Amazon no longer cares to devote resources to this kind of activity, will we see the Author-centric aspects of Goodreads drop off in favor of the reader/consumer focus?

http://bestsellerlabs.com/amazon-buys-goodreads-the-impact-on-authors/

Jonathan Gunson has found something positive about this merger, Kindle libraries will find integration with Goodreads "shelves".  This is wonderful for authors, because all of a sudden, a whole ton of "read" or "owned" or "want to read" shelving will register for all these books.  That kind of activity is a major big deal, adds a lot of popularity to a book in Goodreads.

But there are also a great deal of concerns about privacy.  Many a reader who buys on Kindle, using their real identity, yet keeping their Kindle collection private in this neat little device, is willing to write reviews on Goodreads under a pseudonym.  Goodreads allows this privacy.  People also discuss books in group conversations under their pseudonym. 

If Kindle starts connecting the dots between the device/purchaser, and the Goodreads pseudonym, privacy is out the window.  This has far reaching implications for readers of the more risque erotica material.  Privacy has enabled readers to buy and enjoy these books on their kindle devices.  One might say that ereader privacy has contributed to the explosion of the erotica ebook market.

If that aspect of privacy is lost due to Amazon-Goodreads integration of Kindle libraries and Goodreads "shelves", will there be a drop-off in purchases of the more risque-controversial reading material? 

Not everyone wants their entire Kindle library broadcast to the world.

http://thenightlifeseries.blogspot.com/2013/03/amazon-goodreads-holy-shit.html

And finally, there is another issue for consideration, Amazon's monopolistic control of book sales, discovery, and the discussion forums for talking about books.  In addition to Amazon's own Kindle forums, unbeknownst to many, Amazon is also a major shareholder/partner in Librarything, a Goodreads competitor.  AND obviously, Amazon runs Shelfari, the other major Goodreads competitor.

We, the world of book readers and authors, have very little places left to go, to talk about books, where Amazon does not own/control the discussion format and have full access to all that data.

The megagiant bookseller is positioning themselves to control all the platforms where people go to find and talk about books.  Control of discovery, control of word-of-mouth, control of reviews and ratings.

That's just plain creepy, and it screams of a monopoly.



Additionally, Amazon is infamous for censorship of certain kinds of novels.  They will simply remove a book from their system, as if it had never existed.  That removal reaches straight into Kindle libraries.  Kindle ebooks you have purchased that Amazon deems unworthy will disappear without warning.


Traditionally, Goodreads is a place where everyone is free to discuss every kind of book, to rate and review those books.  There are books discussed, rated, and reviewed on Goodreads, that are not sold on Amazon, have been banned by Amazon.  Will Amazon bring their brand of intolerance and arbitrary book removal to Goodreads?

Comments anyone?

Wednesday, February 13, 2013

The Nightlife Paris needs your vote on cover art!

I have a wonderful cover artist:

http://amygdaladesign.net/

She's highly talented and very fast, efficient, and professional. She did all three of these covers in two days!  If she wasn't all the way over in Europe, I would track her down and kiss her!

My problem?   I can't decide which of the three covers is the best one.  They are all so damn awesome.

HELP ME DECIDE!  Please vote for one of these three covers on my Goodreads poll:

http://www.goodreads.com/poll/show/78998








Friday, January 4, 2013

The new publishing business model: Agents preying on self-published authors

Prepare for a rant.

As I sit here drinking coffee, catching up with my new twitter followers, and reading emails, my morning newsletter from Digital Book World came in.  There's the usual chatter on the publishing industry about ebook and ereader sales activity during the holidays, gains and losses and all that crap.  What caught my eye was an article about publishing agents,
Agents Unwilling to Adapt Won't Last.

I thought that looked pretty interesting, so I read the article.  I haven't read anything in the past few months that made me so instantly furious, soooo fuming pissed off MAD.  I had to sit down and write this blog post.

The article is an interview with Jane Dystel of Dystel and Goderich Literary Management.  Jane starts off with her credentials.  She represented Obama when he wrote "Dreams from my father", before he was President.  That's some serious Klout goin' on there.  I'll bet she's got one hell of a Klout score.  Despite all that overwhelming Klout, the sheer audacity of her business model is staggering.

She isn't even a publisher, but she helps self-published authors, charging a mere %15 of their sales.  She will help them find editors-on their dime, find cover artists-on their dime, and help them upload their ebooks to all the retailers (a very harrowing experience of about 20 mouse clicks).  What a wonderful service, for only %15 royalty on someone else's hard work.

She goes on to admit she wishes traditionally published authors received more than 25% royalty of net sales, she thinks 50% of net sales is much more fair.  Us authors should get at least 50% of net sales royalties.  How kind and considerate, how very progressive.

I get 70% of GROSS sales on Amazon and between 60-80% of GROSS sales at other retailers.

Jane Dystel admits that the challenge Agents face is to convince self-published authors, "that we can help them do better than they are doing for themselves ... many of these self-published authors are doing phenomenally well."

You're damn straight that's a challenge.

The gist of the entire article is this:  Our Agency skims through the self-published authors to see who's a bestseller and then attempts to convince them that somehow or other, they need us.

NOT HAPPENING.  

If I hit anywhere near a bestseller status with my ebook, that's saying a lot: 
1.  I already know how to write a good book. 
2.  I already have at least one editor or more.
3.  I already know how to hire a cover artist, and help work out the design specifics of the cover I want.
4.  I already know how to hire an ebook conversion formatter, or do the formatting myself. 
5.  I already know how to upload my finished ebook to all the retailers.
6.  I already know how to launch my novel through social media and blogs.
7.  I already know how to make the most of ebook retailer's promotional mechanisms, like free offerings, discounts, giveaways, and coupons. 
8.  I already know how to sell myself as an author brand, and my novels as a part of that brand.

If I hit anywhere near a bestseller listing with any of my ebooks, why the hell would I need an Agent?

Jane Dystel looks a lot like a predator to me.  A predator preying on the dreams and aspirations of self-published authors who still feel the sting of not having "made it" in the realm of traditional publishing.  She looks like an Agent who's scrambling to figure out how to convince people like me that there's any need at all for her antiquated, obsolete business model.

If I hit anywhere near a bestseller list with my ebook, you better have a seven figure offer on the table and a movie deal before you even think about trying to talk me out of my successful self-publishing business model.

I have never written a query letter.  I never will.  Its a waste of time.  Jane Dystel says she has represented JA Konrath and John Locke early in their self-published careers.  Here's JA Konrath's words from a year ago:
"Now, writers are much better served learning how to upload their work to Kindle and write a product description than learning how to write a query letter or do a successful book signing."

As I catch up on a ton of social media connections for the morning, start writing another interview series for erotica authors, and begin editing my next two novels for release in the next two months, I wonder how much Agents can afford to adapt?  How much room is there in today's world of self-publishing for an Agent to survive?  NOT MUCH.

This is a time of great change in the world of publishing.  The power is shifting to the authors, specifically the authors who learn the ins and outs of self-publishing.  I strongly suggest people abandon obsolete business models and embrace that power, take it in full measure and use it to the best of your ability.

Until next time,

Travis Luedke



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