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Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Saturday, March 2, 2013

Young Adult Fantasy 2 for 1 SALE!

Check out a new up and coming author DR RACEY

He currently has a PROMOTIONAL EBOOK SALE ~ 2 FOR 1.

Buy the 1st book in THE PHOENIX BLADE TRILOGY, 
"CONFLAGRATION" and get the 2nd book "LINEAGE" for FREE





For purchase verification, please forward the purchase verification email from Amazon, Barnes and Noble, or Smashwords for the purchase of "Conflagration" to 

drracey@gmail.com

All confirmed purchases will have a copy of "Lineage" gifted to them from the author within 24 hours of purchase verification.

Promo is valid from 01 March 2013 thru 31 March 2013.

Customers who received a copy of Conflagration for free through another promotion are not eligible to receive a free copy of Lineage during the Buy One Get One Free Promo.

CONFLAGRATION

Conflagration is a family friendly fantasy novel for readers of all ages. Conflagration is the first book in The Phoenix Blade Trilogy.

Join Valus as he searches for the magical sword.

LINEAGE

Lineage begins twenty years after Conflagration ends and follows the elf Kayne as he searches for a magical talisman to enter the netherworld and battle the demon Mar' Del.

CONFLAGRATION Purchase Links:
Author Email: drracey@gmail.com
Official Website: http://www.drracey-books.webs.com




Wednesday, February 13, 2013

The Nightlife Paris needs your vote on cover art!

I have a wonderful cover artist:

http://amygdaladesign.net/

She's highly talented and very fast, efficient, and professional. She did all three of these covers in two days!  If she wasn't all the way over in Europe, I would track her down and kiss her!

My problem?   I can't decide which of the three covers is the best one.  They are all so damn awesome.

HELP ME DECIDE!  Please vote for one of these three covers on my Goodreads poll:

http://www.goodreads.com/poll/show/78998








Friday, January 4, 2013

The new publishing business model: Agents preying on self-published authors

Prepare for a rant.

As I sit here drinking coffee, catching up with my new twitter followers, and reading emails, my morning newsletter from Digital Book World came in.  There's the usual chatter on the publishing industry about ebook and ereader sales activity during the holidays, gains and losses and all that crap.  What caught my eye was an article about publishing agents,
Agents Unwilling to Adapt Won't Last.

I thought that looked pretty interesting, so I read the article.  I haven't read anything in the past few months that made me so instantly furious, soooo fuming pissed off MAD.  I had to sit down and write this blog post.

The article is an interview with Jane Dystel of Dystel and Goderich Literary Management.  Jane starts off with her credentials.  She represented Obama when he wrote "Dreams from my father", before he was President.  That's some serious Klout goin' on there.  I'll bet she's got one hell of a Klout score.  Despite all that overwhelming Klout, the sheer audacity of her business model is staggering.

She isn't even a publisher, but she helps self-published authors, charging a mere %15 of their sales.  She will help them find editors-on their dime, find cover artists-on their dime, and help them upload their ebooks to all the retailers (a very harrowing experience of about 20 mouse clicks).  What a wonderful service, for only %15 royalty on someone else's hard work.

She goes on to admit she wishes traditionally published authors received more than 25% royalty of net sales, she thinks 50% of net sales is much more fair.  Us authors should get at least 50% of net sales royalties.  How kind and considerate, how very progressive.

I get 70% of GROSS sales on Amazon and between 60-80% of GROSS sales at other retailers.

Jane Dystel admits that the challenge Agents face is to convince self-published authors, "that we can help them do better than they are doing for themselves ... many of these self-published authors are doing phenomenally well."

You're damn straight that's a challenge.

The gist of the entire article is this:  Our Agency skims through the self-published authors to see who's a bestseller and then attempts to convince them that somehow or other, they need us.

NOT HAPPENING.  

If I hit anywhere near a bestseller status with my ebook, that's saying a lot: 
1.  I already know how to write a good book. 
2.  I already have at least one editor or more.
3.  I already know how to hire a cover artist, and help work out the design specifics of the cover I want.
4.  I already know how to hire an ebook conversion formatter, or do the formatting myself. 
5.  I already know how to upload my finished ebook to all the retailers.
6.  I already know how to launch my novel through social media and blogs.
7.  I already know how to make the most of ebook retailer's promotional mechanisms, like free offerings, discounts, giveaways, and coupons. 
8.  I already know how to sell myself as an author brand, and my novels as a part of that brand.

If I hit anywhere near a bestseller listing with any of my ebooks, why the hell would I need an Agent?

Jane Dystel looks a lot like a predator to me.  A predator preying on the dreams and aspirations of self-published authors who still feel the sting of not having "made it" in the realm of traditional publishing.  She looks like an Agent who's scrambling to figure out how to convince people like me that there's any need at all for her antiquated, obsolete business model.

If I hit anywhere near a bestseller list with my ebook, you better have a seven figure offer on the table and a movie deal before you even think about trying to talk me out of my successful self-publishing business model.

I have never written a query letter.  I never will.  Its a waste of time.  Jane Dystel says she has represented JA Konrath and John Locke early in their self-published careers.  Here's JA Konrath's words from a year ago:
"Now, writers are much better served learning how to upload their work to Kindle and write a product description than learning how to write a query letter or do a successful book signing."

As I catch up on a ton of social media connections for the morning, start writing another interview series for erotica authors, and begin editing my next two novels for release in the next two months, I wonder how much Agents can afford to adapt?  How much room is there in today's world of self-publishing for an Agent to survive?  NOT MUCH.

This is a time of great change in the world of publishing.  The power is shifting to the authors, specifically the authors who learn the ins and outs of self-publishing.  I strongly suggest people abandon obsolete business models and embrace that power, take it in full measure and use it to the best of your ability.

Until next time,

Travis Luedke



Friday, August 17, 2012

Aspire to become the victim of piracy

I have been told many times over that the ebook industry, much like the music industry, is fraught with Piracy!  How will I ever make any money from my novels with all these pirates on the digital seas, stealing and whatnot!?

And why would pirates be interested in my novel?  Should I really be worried about piracy?

Pirates only highjack novels that are marketable, novels that sell.  Why waste time and effort pirating unsaleable trash novels in the seedy digital black market?  Pirates only steal what's worth stealing.

Whats the real issue I face as an Indie author trying to spread the word about my novels?

Obscurity is my enemy, not piracy.

To be pirated is a complement, I have succeeded in catching the pirate's attention.  He wouldn't steal my ebook if it wasn't valuable.  At least he knows I exist.

Perhaps he even read my novel ... that would make me happy :)



http://www.twluedke.com/
http://www.wattpad.com/story/1785055-the-shepherd
https://twitter.com/TWLuedke

Thursday, August 9, 2012

Roller coaster writing inspiration

My two daughters and I were on the Goliath at Six Flags, a ride where the track is above you and virtually impossible to see most of the time.  We were only three riding in a row that holds four, so a single rider joined us at the end of the row.  He was an older guy, in his late forties, a hefty paunch.  He couldn't get the safety belt to latch on his overhead harness, so the ride attendant shoved down hard and crammed the belt in.  It seemed to latch, and so the ride began its ascent to the apex.

As you might have guessed, the guy's belt was not properly latched in place.  As we rode slowly, inexorably up to the point of being dropped down into the initial swoop-loop of the ride, the guy started screaming and freaking out because his belt wasn't latched.  My daughter kept trying to talk to him, telling him it was okay, the harness was locked in place, the belt was just a safety precaution, but she couldn't break through his panic.

Fear of death and that most magical of substances called adrenaline gives people reserves of strength that they never thought possible.  After trying several times and screaming at the top of his lungs "Stop! Stop the ride!", The guy was able to pull down hard enough on his overhead harness to click the safety belt in place.  He got it latched right at the point that the ride began its 80 mile-an-hour descent into face-smashing quadruple g-force thrills.

I spent the entire ride watching this man in macabre fascination, wondering if his safety belt would come loose, wondering if he would be flung from the ride to his death like a teenager in one of those "Final Destination" films.  I didn't want it to happen, but I was unable to look away for the anticipation of it.  It was like watching Jerry Springer, you really don't wanna see it, but once its there on TV, your eye is drawn in with an irresistible magnetic pull (well...thats how it is for me anyway...I can't speak for everyone else).

I vow to myself here and now that I will find a way to work this into a scene in one of my novels, because life truly is stranger than fiction.

Sunday, August 5, 2012

Adventures in ebook cover artistry

I am not an artist.

But I had aspirations as a teenager:  dragons, medieval fantasy stuff, creepy guys with fangs, 80's rocker dudes with battle axes and swords ... Nothing I would ever consider putting on the cover of my self-published ebooks.

Needless to say, I have decided to hire cover artists.  And just how does one go about hiring cover artists?  I began my journey down this road without a clue.

As most business begins in this day and age, I started with Google.  Anything I want to know I just Google it, don't we all?  The trick is asking the right question, its like a backwards game of Jeopardy.

In my searches for cover art/artists, I came across many resources, a few of which I will name here.  Mark Coker of Smashwords.com, the largest Indie ebook publishing outfit on the web outside of Amazon, has a list of cover artists he will promptly email upon request. I looked at that list, and I checked out various websites of the cover artists showcasing portfolios of their work.

I don't want to bash too hard on other people's cover art, but I was not very impressed with about 90% of it.  I've been browsing through book covers for several months now, and there are literally about one in a hundred book covers that I thought looked professional or even decent.  I guess its all in the eye of the beholder.  My eye for cover art is jaded.

Later in my searches I found a great source for award winning cover art:  http://www.thebookdesigner.com/2012/06/e-book-cover-design-awards-may-2012/
Those are some very good covers, and it stands to reason those artists would produce quality products for me as well .... but at what price?

The one place I found immediately when I searched for freelance artists or artists-for-hire is http://www.freelanced.com/.  Its the best resource for freelance artists I've ever seen.  In minutes I was able to post my Job at the price I was willing to pay, and real live artists began applying for the Job. It is sooo EFFIN awesome to have a whole swarm of artists willing to do the job you want at the price you name.  And there are some extremely talented artists on freelanced.

Like many things in life, I think it follows the 80/20 rule.  About 80% of the artists are mediocre and then there's the 20% that are fantastic.   Some of these artists will do a quick mockup of your concept.  You can have a free demonstration of how your cover ideas come to life with an artist's particular flare.  That is soooo cool.  Its polar ice cap -120° F cool.  Its cooler than a witches tit in a brass bra.

Of course, not all the artists want to give their valuable time for a free mockup.  Some of the very best artists, the ones who have gallery quality art, are the ones who'll tell you their portfolio speaks for itself (and it does).  So either you take a chance on a high quality artist without a mockup, or you work with a good-to-high quality artist who's not above spending a little time convincing you they're the one for the job.

I chose the latter every time.  There's just something about getting a good looking mockup of your desired cover that sinks home the sale.  The guys I hired didn't necessarily have the best portfolio, but they put forward their best efforts to prove they were good enough for my needs.  They also happened to be in the business of doing cover art, they know what's expected.

I have found many cover artists I would like to hire, but so far I could only afford the two:

Diogo Lando from portugal, http://www.freelanced.com/diogolando

Joshua Allen from the good ole USA, http://www.freelanced.com/joshuamallen

You can see the process as it evolved proof by proof with each cover.  There are numerous samples of cover art proofs and mockups done by artists in my site http://www.twluedke.com/

The question that should be prominent in your mind by now is how much did I pay for my covers?

Not a penny more than what I posted on freelanced:  $75.00 each ($150 total for the two).  These artists did multiple proofs and changes I asked for.  They both finished the job within two weeks from the date I hired them.

Maybe you think my covers aren't all that.  So what.  I think they look better than 90% of what's out there in the self-publishing arena. If you think my covers look pretty good, then follow these tidbits of advice I have gleaned through experience:

1.  Give the artist some room to work-in their particular flair or style, I tend to like artists with styles that are slightly abstract, it shows me they have a unique way of looking at the world.
2.  Give detailed, clear and concise descriptions of what you have in mind.  The clearer you can paint a picture for the artist, the better they will be able to produce what you want.  Provide any examples you can find from imagery on the web to give the artist something to go on (Google images or stock photos or whatever).
3.  Work only with artists who communicate quickly and effectively,  if it takes them 4-5 days to respond to an email then they don't want your business that badly.
4.  Make sure you're getting the right dimensions for your final product.  Get educated on what cover art pixel requirements are for the various ebook vendors:

http://stuartaken.blogspot.com/2012/06/new-ebook-cover-requirements-for-high.html


I wish you all the best of luck with your cover art.  Don't settle for good enough, go for the best.  If you take a little time and shop around you can find it at a reasonable price.

Travis
http://www.twluedke.com/



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